Italian Early Renaissance Painter, 1449-1494 Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);   Related Paintings of GHIRLANDAIO, Domenico :. | St Barbara | Portrait of the Donor Nera Corsi Sassetti | Announcement of Death to St Fina | Obsequies of St Francis | Detail of Birth of St John the Baptist |
Related Artists:
GIUSTO de Menabuoi
Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391, Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391, was an Italian painter of the early Renaissance. He was born in Florence. In Lombardy he executed a fresco of the Last Judgement in the Abbey of Viboldone, Milan. He then moved to Padua where he completed frescos in the Church of the Eremitani, the Basilica of Saint Anthony of Padua and most notably, the Baptistery of the Duomo (1376).
PERUGINO, Pietro
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
John sell cotman
English Romantic Painter, 1782-1842 English painter and etcher. Cotman was born in the parish of St Mary Coslany, Norwich, the son of Edmund Cotman, a hairdresser, later a haberdasher, and Ann Sell. In 1793 he entered Norwich Grammar School as a 'freeplacer'. In 1798 he moved to London, where he worked as an assistant to the publisher Rudolph Ackermann. Following in the footsteps of Turner and Thomas Girtin he joined Dr Monro's 'Academy' in 1799 and became a member of the sketching society that had developed around the personality and talent of Girtin.